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“It’s funny, just doing this interview, there’s so much that I never correlated. I’m sitting here like, ‘That was a music video,’” he says. “The reason it was cutting edge was no one had ever done a music video as the intro to the show.” They’re not wrong. While there was precedent in cinema for use of graffiti in main titles ( and, for example) and openings as hip-hop music videos ( ), they were rare in television. Looking back on The Fresh Prince of Bel-Air’s opening titles, it’s not just the individual parts – the logo, the titles, the music video treatment, the theme song – that seem so ahead of their time. It’s the whole as well.
Medina invited Smith to meet Jones at a party that Jones was throwing at his house in December of 1989. There, Jones handed Smith a script for a failed pilot that he had produced and challenged Smith to audition for Tartikoff on the spot. Will did so and the first contract for the show was drawn up that night in a limo outside.
Rooted in how sitcom main titles used to be done, and pushing towards how TV main titles would be done decades later, the opening credits present a bridge between the past and the future. Tonight Show host Jimmy Fallon parodied the Fresh Prince of Bel-Air opening title sequence in 2015.
The Fresh Prince of Bel-Air logo t-shirt ($21) is just right for those who want a simple shirt ($21) with the show's classic logo. The Fresh Prince of Bel-Air logo t-shirt. Dec 05, 2018 The Fresh Prince of Bel-Air logo t-shirt ($21) is just right for those who want a simple shirt ($21) with the show's classic logo. The Fresh Prince of Bel-Air logo t-shirt. The Fresh Prince of Bel-Air (1990–1996) Watch The Fresh Prince of Bel-Air (1990–1996) full episodes. Synopsis: Will Smith more or less plays himself in this good-natured NBC sitcom.
That same night he returned. He got the show. Townes could barely believe it until he saw it for himself. “When it turned into the pilot, and I saw the pilot, I remember looking at him and just saying, ‘You are really on a TV show.’ This is like all of the TV shows that you watched, and this is actually happening,” he says. Soon, another call came, this time for both of them. The Borowitzes wanted a theme song with a particular goal: “The song was supposed to be a hip-hop answer to classic sitcom themes that explained the premises of the shows, like and obviously,” says Andy Borowitz. (1962) season one main titles That task should have been daunting for Smith who, it turns out, is a big classic sitcom fan (“There’s no bigger student of American sitcoms than Will Smith,” says Borowitz), but it played to his creative strengths – lyric writing that tended towards linear and conceptual storytelling.
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The music often used to bridge scenes together during the show is based on a similar chord structure. Plot [ ] The theme song and opening sequence set the premise of the show. Will Smith is a street-smart, 'born and raised'. While playing, Will misses a shot and the ball hits a group of people, causing a confrontation that frightens his mother, who sends him to live with his wealthy aunt and uncle in the opulent neighborhood of. Will's background ends up clashing in various humorous ways with the world of the Banks family – Will's uncle Phil and aunt Vivian and their children, Will's cousins: Hilary, Carlton, and Ashley. The premise is loosely based on the real-life story of the show's producer. Cast and characters [ ] Main [ ] Actor/actress Character Seasons Philip Banks Vivian Banks Carlton Banks Hilary Banks Ashley Banks Geoffrey Butler Nicky Banks Recurring [ ] Actor/actress Character Seasons Perry Moore Episodes [ ].
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Album cover for He's the DJ, I'm the Rapper (1988) Two years before a show about a West Philadelphia kid moving to Bel-Air premiered, Jive Records was looking to shoot a video for the duo’s promising second single “Parents Just Don’t Understand” off their album, He’s the DJ, I’m the Rapper. “Parents” was a different kind of hip-hop song, and Carli knew she needed a different kind of director to both bring it to life and ensure the pair made a strong first impression. Carli wasn’t a fan of the usual music video-making process: send a song to a production company, who would assign a director to create a treatment – usually, without ever meeting the musicians. No, Carli wanted a director who would get to know DJ Jazzy Jeff and The Fresh Prince and make a video that achieved her goal: “What could we do that could really tell this story within the budget that we had, in a way that personified the group?” Enter.
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