Padre Antonio Soler Sonata No. 90 In F Sharp major.
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Appendix A lists the differences in pitch and notation between the performance edition of Ricardo Iznaola and the 'Final' manuscript. Appendix B is this author's performance edition that is the result of the conclusions of the analysis and the intentions of the composer as perceived by this author. My intent is to present a detailed analysis of the Sonata para Guitarra (1933)1 of Antonio Jose2 in order to assist the student and concert performer in better understanding this work. I will perform my own edition of the Sonata 3 in a lecture recital at the University of Arizona. My edition represents my best interpretation of what Jose's intentions may have been and how they may be realized on the guitar. Jose did not play the guitar and most likely wrote the work at the piano, thus many of the passages are not idiomatic. Therefore the performer needs to make decisions about what best serves the music within the confines of the guitar's limitations.
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Is the transcription accurate? Is it a good teaching tool? • Consider writing about your experience and musical tastes. Are you a beginner who started playing last month? Do you usually like this style of music? • Feel free to recommend similar pieces if you liked this piece, or alternatives if you didn't. • Be respectful of artists, readers, and your fellow reviewers.
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Work Title Keyboard Sonatas Alt ernative. Title Composer Opus/Catalogue Number Op./Cat. R.101-110 (Rubio's catalogue: R.423(101)–432(110) ) I-Catalogue Number I-Cat. None [ force assignment] Movements/Sections Mov'ts/Sec's 10 Sonatas Composer Time Period Comp. Period Piece Style Instrumentation Harpsichord Soler: Keyboard Sonatas Keyboard Sonatas by • • • • • • • • • • • Sonatas R.101 – 110 • • Ordered by Marvin (M.) numbering, since these works are not included in the Rubio edition (UME, 7 volumes).
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AbstractPerformers need a new edition of the Sonata para Guitarra (1993) by Antonio Jose Martinez Palacios (1902-1936) that takes into account the demands of the guitar as well as the formal, thematic and harmonic characteristics of the piece itself. Such an edition would greatly facilitate the performance of this masterpiece. I will demonstrate this by performing my own edition of the Sonata para Guitarra, and by justifying that edition by describing the nature of the composition through an analysis of its formal, thematic and harmonic aspects, as well as considering the genesis of the work and its representation in currently existing editions. The paper includes relevant historical information about the composer, the manuscripts, publications, and musical examples with analytical notations of the formal, thematic and harmonic aspects of the work. Two appendices are included.
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Review Guidelines • Explain exactly why you liked or disliked the product. Do you like the artist? Is the transcription accurate? Is it a good teaching tool? • Consider writing about your experience and musical tastes.
Review Guidelines • Explain exactly why you liked or disliked the product. Do you like the artist? Is the transcription accurate? Is it a good teaching tool?
If you have any suggestions or comments on the guidelines, please email us. • All submitted reviews become the licensed property of Sheet Music Plus and are subject to all laws pertaining thereto. If you believe that any review contained on our site infringes upon your copyright, please email us. • Read Sheet Music Plus's complete.